; s3 k6 S! h( `, m' [2 I NPianoteq PRO is the ultimate product for professional composers and recording studios, and has proved to be an indispensable tool in many recording projects - from movie soundtracks and tv commercials to the latest hit songs.
% P. z/ {) r! q' i6 L3 b" ^4 _5 WBy being physically modelled, Pianoteq PRO brings you an extremely sophisticated tool for sound shaping and instrument creation, letting you create your own unique sounds that will enrich your projects. The PRO version works with internal sample rates up to 192 Khz. By using its powerful Note Edit feature, you are able to adjust physical parameters for specific ranges, and even note by note. You can also turn any Pianoteq instrument into a multi-instrument by using advanced keyboard splits for up to 105 notes (concerns instruments with extended octave range).' ^) M5 |) B5 ?+ |
Note editor4 y p, J1 O/ N8 c1 i
The note editor is designed so that you can work with it effectively - it saves you time and increases your creativity. On top of this, its spectrum profile editor lets you adjust each overtone for each note, bringing you thousands of sound combinations that will help you finding your own unique instrument.
0 S$ [, |+ w( e1 t$ e% ~" ?1 vPowerful note editing
; \( q2 ?7 C0 p& P8 C5 Q h& b) CPianoteq PRO offers note-by-note adjustment for no less than 30 parameters:
7 g1 Z f! I$ U \/ Z# gVolume/ ~3 |' E$ t: X- v! A1 f
Detune
g' A. a% u; A4 ?% ^( B' r/ v& BDynamics
6 {- l) E. H/ J" i" u" C! UUnison Width
' H6 Z7 c$ K* V' g, ?Unison Balance( Q3 n. D8 r* I: j3 L0 R
Direct Sound Duration! q* h; R3 S1 [
Hammer Hardness Piano7 r" |# K. L9 S+ b# @5 X7 ~
Hammer Hardness Mezzo
( I- q5 i c$ d" x. v* SHammer Hardness Forte7 I6 ?; u+ h5 ^
Spectrum Profile( p' D" }& l+ q' d# T# E8 p2 `
Hammer Noise2 s8 m8 ]0 ? B5 i+ r
Strike Point
$ ]% j, l4 y# b" a; q" @( dPickup Symmetry
/ x% [7 R+ S1 b0 p8 m& p4 cPickup Distance
% i5 m* l" {% K% LImpedance9 L7 ]$ }- L- W$ b) B* s& ]
Cutoff2 x. W; B/ i: z& q e3 J! p
Q Factor
& f! i' L t% q4 [+ {. ^0 NString Length
z- K/ s0 @ r& U. H( p4 ASympathetic Resonance
, [& H/ R" S& mPinch Harmonic Point8 m( Q- s$ ` T+ g2 I4 G) x2 a( i8 ~
Duplex Scale Resonance s4 S4 r' E3 Z! S
Damper Position
! Q! `" |9 \# P+ h* \+ f( hDamping Duration
' p- r" I6 C0 d; j0 jMute% u; q% ?- W# N& h: R4 Q" c# N
Damper Noise- {4 \- q7 r1 ~( p* A8 W5 C
Key Release Noise
$ o5 G" t, m/ b: I+ d+ V! YBlooming Energy
* p$ f4 S J' m G7 F/ A VBlooming Inertia
* j1 j c# m' cAftertouch Sensitivity
- s \: D: E. s8 u9 J3 x+ JHammer Tine Noise! e) G7 {4 c6 S6 J/ Y j8 q
" U# D5 H3 \, S1 J! PDATE:21 Mar 2020
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