# a& A \* f. v- u; k, d$ s
$ U0 f+ `+ \ i
* _* e7 a3 u- f( b$ r
. Z/ c; l, c0 r+ S* T
4 e! w t! \0 Y! W/ W4 [6 W3 L& I4 B
VQstands for "Vintage Quality". It's a sample library for Kontakt 4 $ x+ F# Z+ n* ^( _3 J" G1 C% }
and above that features a 1964 Ludwig Hollywood kit recorded with 12 mics in a wooden studio.+ |% k+ ?; _ @. J& @3 s K
$ `5 O# K* `9 |. I, z/ F$ k* A# x; }
All recorded with 6 velocity layers and 6 round robin, resulting in 36 samples per articulation.
) G2 W! X! W& k: C& a, p' x, HAll samples normalized to 0db so when a velocity ramp is applied it results in 128 volume steps, / ?( M! h7 F% i- b. B' s+ S1 ~
which gives a very natural response from the keyboard or e-drum.
4 w1 b. |: t2 x& W
+ t: D1 n2 n6 S% z2 n* p2 \: oThis is, by far, the most complex library that I've ever done and it's also the best sounding kit that I've ever heard.
& ^: y0 W1 J$ p3 F8 G1 [# S2 ~+ E# p2 ]: z
Tech Info7 y" q5 d0 G# Z
NCW files, 44.1KHz 24bit./ ]4 N; r- B/ Y c3 y
4GB using lossless compression.
$ f3 `9 a% q% }6 round robin, 6 velocity layers.
0 W3 a, |0 C( a7 ^1 A8 K$ HAdvanced script and GUI.2 ?) B5 d8 ?6 }4 i/ A: G
10 microphone positions.( w, C: t" r r3 n4 n
Effects (EQ, reverb and compression).
' I& J3 O K8 ~Settings page with premium features.; W- `7 ^( ]0 A- f; @9 ]9 h- }
Artist Presets.( U- k8 K/ J. w
For Kontakt 4.2.4 or superior.
# S4 V4 j* U9 b$ Q
8 j h* W0 \0 d& C; i1 b g6 N$ u5 \- l ^( `1 V7 ?9 H+ T$ o
/ O, e+ U: K* R5 X2 l& ^+ e
|