0 _& X2 ~: u( a
: C9 a4 I8 V* G6 B$ B* i3 R
6 U9 I: {! t6 u2 Z
- }$ s8 j6 b$ h! u
& h, h8 X2 ]$ L! W. J. N* A8 y5 M+ p! {
* P( _ V% D& WVQstands for "Vintage Quality". It's a sample library for Kontakt 4 5 G( u& o8 W- a) ^
and above that features a 1964 Ludwig Hollywood kit recorded with 12 mics in a wooden studio.
. e0 k$ e! N9 @! H+ \3 s8 I/ [
- s! {. h e ?3 I9 w; NAll recorded with 6 velocity layers and 6 round robin, resulting in 36 samples per articulation.
. j9 Y# t2 K0 s2 V; @7 f, m1 {All samples normalized to 0db so when a velocity ramp is applied it results in 128 volume steps, 5 S. t& }& k, m0 P4 f
which gives a very natural response from the keyboard or e-drum.
3 X0 y. ^* S& A/ F9 H; o, [5 T$ ?6 A/ H6 |4 N( M8 a! `1 N
This is, by far, the most complex library that I've ever done and it's also the best sounding kit that I've ever heard.
! ^8 b( i; [9 @2 Z1 J4 B8 R- U$ i; d/ g$ F. i5 Q8 f; l
Tech Info
0 |( n( ?( z' o2 e' g6 s6 s* [NCW files, 44.1KHz 24bit.8 | [) }) p- N9 q, k+ {' j
4GB using lossless compression.2 g R$ c. C" r
6 round robin, 6 velocity layers.
/ c/ ~ T6 S. S' S% sAdvanced script and GUI.
% M$ l. z3 H3 W; j G! S10 microphone positions.+ x. `0 u! _4 P% v5 C% |# n
Effects (EQ, reverb and compression)./ B, K. V# ]; s% t/ p
Settings page with premium features.
! o/ T/ |5 q9 J U! |. d- z1 aArtist Presets.% G; [( B* i) Q( |: ^9 l
For Kontakt 4.2.4 or superior.
6 C3 O$ q+ d8 B4 u$ }. y% T7 |1 J X2 n
6 R+ w% V2 V: X9 d; s' }, ^) Q/ Q! i. s7 q* B( [6 u
|