# C; {4 X. E; r1 E# b- j
* H; E2 G! O- s! x, y$ I
K2 Y8 O* f* T5 J
, s4 d+ k3 O2 o: y4 w
( r, d' _6 W, `/ }& y2 Y
+ _4 T- H( Q) z* L1 u4 m: HVQstands for "Vintage Quality". It's a sample library for Kontakt 4 5 g4 K2 g8 \2 f" @7 \. d: G `/ ^5 U
and above that features a 1964 Ludwig Hollywood kit recorded with 12 mics in a wooden studio.$ H. S; J2 v2 w: Y q2 C6 W
2 m+ e' O2 D) ]1 H6 H9 X$ V; ~All recorded with 6 velocity layers and 6 round robin, resulting in 36 samples per articulation. 2 I _4 V$ t% v/ k$ S; Y; @5 l" a
All samples normalized to 0db so when a velocity ramp is applied it results in 128 volume steps, - N4 R3 |: G9 U" s
which gives a very natural response from the keyboard or e-drum.
/ i5 g, w# n! ]' Q+ B. M: _5 @/ ~9 x8 u) n+ T
This is, by far, the most complex library that I've ever done and it's also the best sounding kit that I've ever heard.1 Z; @. O% T! S, @& L9 r
7 F; e5 B a( r" ^* ~
Tech Info" Y- \' @0 z" X' A5 f
NCW files, 44.1KHz 24bit.
8 g& J. j, }) M* S4GB using lossless compression." s, |+ U7 k+ w6 z3 A# e2 Z& q* f
6 round robin, 6 velocity layers. C1 F* V6 M# V
Advanced script and GUI.1 y4 q+ P5 w, k- D% h$ J
10 microphone positions." S7 i N+ q" g3 \
Effects (EQ, reverb and compression).% p4 ?; O( ]2 J
Settings page with premium features.$ L) b0 Y. t/ q
Artist Presets.
8 D) F8 e4 y( L# R, \4 b; s) p1 V; YFor Kontakt 4.2.4 or superior.
; t1 ]) ^/ \2 D( u
% C I h/ P$ w2 z7 j* X! c
' P% P) K6 |* Y1 I9 W! Q1 b$ N5 }: H
|
