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Pianoteq PRO is the ultimate product for professional composers and recording studios, and has proved to be an indispensable tool in many recording projects - from movie soundtracks and tv commercials to the latest hit songs.
5 ^, ]7 f: A* s) \5 u- N8 t4 b, a1 OBy being physically modelled, Pianoteq PRO brings you an extremely sophisticated tool for sound shaping and instrument creation, letting you create your own unique sounds that will enrich your projects. The PRO version works with internal sample rates up to 192 Khz. By using its powerful Note Edit feature, you are able to adjust physical parameters for specific ranges, and even note by note. You can also turn any Pianoteq instrument into a multi-instrument by using advanced keyboard splits for up to 105 notes (concerns instruments with extended octave range).3 M' |( z7 Y0 I# H% T: b
Note editor$ U8 g# |+ Q& a9 b- p
The note editor is designed so that you can work with it effectively - it saves you time and increases your creativity. On top of this, its spectrum profile editor lets you adjust each overtone for each note, bringing you thousands of sound combinations that will help you finding your own unique instrument.
0 z. _4 H. u( N+ ^7 H# g8 G+ P, hPowerful note editing6 P/ x! {) {& i* c' _" O/ ?
Pianoteq PRO offers note-by-note adjustment for no less than 30 parameters:0 i R. H' ?5 p( ~% L" F
Volume& ?5 |! g. K3 M; v8 y' U
Detune
2 G1 z5 L6 f* D5 ^! c0 \9 b4 gDynamics$ f" k4 W; w& G; t4 z- {6 Y; c! q( l
Unison Width
; z9 _+ ?; T s2 gUnison Balance
/ Z; J j5 k. A- h0 F2 V1 `Direct Sound Duration
! x3 L5 ~$ }: B: M; c2 yHammer Hardness Piano
3 X2 ~3 q5 p p. Z! |; I) [Hammer Hardness Mezzo
# l/ T" N0 _; ?2 KHammer Hardness Forte
: R9 C0 K6 `* O& w4 x6 j" U/ BSpectrum Profile
/ t* G4 U$ c0 M3 Q* L1 }* [Hammer Noise
; C# \) z* V+ ]Strike Point
4 e u" c2 w1 x7 F& LPickup Symmetry
! ~% T# ^- e8 A& r/ x& T" tPickup Distance
2 h* R8 h) H, ~+ M1 JImpedance
+ T. g. y4 S" d0 \Cutoff
- a+ e3 L0 O+ a+ c4 k1 `5 zQ Factor
% d6 d0 ^" R0 jString Length0 e- t) H( |) ~2 U. m9 X
Sympathetic Resonance
( @. ^* u2 A% Q4 S0 ~; _4 `( pPinch Harmonic Point
4 n. i: F9 x( O, F, G& oDuplex Scale Resonance
+ ~6 N8 A/ A) l+ X9 q! J0 t7 K! hDamper Position
6 x- d1 p% V6 s( K2 _1 rDamping Duration! G5 \! N& j6 T2 b7 S* `& b
Mute
) C/ K: l# M o9 E4 RDamper Noise- i! t+ _ F/ k# m9 a: ^! Z
Key Release Noise
% ^; f* n: q4 JBlooming Energy4 b# \% w( b& |: K* ^& }& s( o. d
Blooming Inertia
. H7 x, W" t& h( d$ j7 A! @2 pAftertouch Sensitivity3 K o4 p7 g! ~3 y1 T4 I
Hammer Tine Noise
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. E6 D) G/ Q( Q+ C) E8 L! K; @3 ?( UDATE:21 Mar 2020
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