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Pianoteq PRO is the ultimate product for professional composers and recording studios, and has proved to be an indispensable tool in many recording projects - from movie soundtracks and tv commercials to the latest hit songs.# x4 P/ A5 C! H, Y8 I
By being physically modelled, Pianoteq PRO brings you an extremely sophisticated tool for sound shaping and instrument creation, letting you create your own unique sounds that will enrich your projects. The PRO version works with internal sample rates up to 192 Khz. By using its powerful Note Edit feature, you are able to adjust physical parameters for specific ranges, and even note by note. You can also turn any Pianoteq instrument into a multi-instrument by using advanced keyboard splits for up to 105 notes (concerns instruments with extended octave range).
$ k; R5 O( _4 O( vNote editor
6 G- G0 |- D8 h! aThe note editor is designed so that you can work with it effectively - it saves you time and increases your creativity. On top of this, its spectrum profile editor lets you adjust each overtone for each note, bringing you thousands of sound combinations that will help you finding your own unique instrument.5 ^ m G: W( p$ c
Powerful note editing {& T) {$ _' R% c0 z/ X
Pianoteq PRO offers note-by-note adjustment for no less than 30 parameters:" X. ]& s0 H4 m4 A
Volume
8 ^0 I0 W" W. D$ XDetune. I; P( n6 @- b9 n k, M" X" O0 E4 ^( d
Dynamics
: N6 m1 N; @& X' }; L7 y# j; O. pUnison Width
1 _' y4 f) M* lUnison Balance- T# Y4 @# Z) e" B4 ?7 v) S4 ^
Direct Sound Duration. I, h! S9 P- m- ^9 _+ k3 m3 H
Hammer Hardness Piano
% `, [% j# f- r! c9 EHammer Hardness Mezzo
9 h& Z% |' _0 \9 t d5 ]Hammer Hardness Forte5 Z" R& t8 t% _" G3 `- c
Spectrum Profile6 c( h% C! Z+ W9 M6 j+ z! o" l
Hammer Noise$ g: i2 _9 K3 X5 @
Strike Point
/ F6 V. t3 c% [4 m# C+ k& MPickup Symmetry
7 z i+ t: G( {) QPickup Distance
5 ^; U5 L; {1 J$ M4 A/ cImpedance' C/ ^. B) s" t6 b1 _/ W
Cutoff
: ~' B. q3 r3 a+ D5 G* w7 l$ sQ Factor
! D, E, C7 i4 L+ N9 f) T$ TString Length( f& a7 ~% @8 V! j
Sympathetic Resonance
) _/ y% f5 D n8 z! @' @: mPinch Harmonic Point; [& X4 p) i7 F i
Duplex Scale Resonance6 y9 ~1 [6 n5 O; p0 _
Damper Position8 c7 K$ ]$ K i1 O% Q2 e5 N
Damping Duration
7 |, F m% P; @! {" yMute: D5 t: M2 W- @ {
Damper Noise. p) Q( P' x. _8 q
Key Release Noise
3 u( o$ q; r; O1 b# oBlooming Energy
6 k- D3 @7 w3 M0 N: D5 RBlooming Inertia) a/ s: f1 @$ N! y; r
Aftertouch Sensitivity
X/ U+ F6 u( c/ P5 u' ^) t8 L, ~, pHammer Tine Noise6 y8 I, X Y3 D$ {6 X9 {% r# f
: ?; A" ?/ }) z4 r7 {) I# \; WDATE:21 Mar 2020
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